“Oppenheimer” is a 3-hour epic about the life of J Robert Oppenheimer. In certain ways, it’s reminiscent of how movies used to be made. The dialogue is smart. The editing was crisp, and (because I know the sound editor), the soundtrack was terrific—being “big” when it was needed and subtle when required. It’s also a “whodunit” wrapped in soft commie propaganda inside leftist messaging. //

The film bends time by blending Oppenheimer’s 1954 security clearance revocation hearing with the 1957 Senate Commerce Committee hearing on the nomination of former AEC chairman Lewis Strauss. Christopher Nolan flips back and forth from Oppenheimer’s security clearance hearing (shot in color) to the Commerce Committee public hearing, as if they are being held contemporaneously. //

The movie soft-pedals Oppenheimer’s lack of personal morals throughout. //

Oppenheimer recognized Nazis as imperialists and evil, as Jew-hating madmen but apparently couldn’t see the Jew-hating Karl Marx and mass-murdering Joe Stalin in the same light. The film follows a well-worn script that communists weren’t “all that bad”. It tracks the oft-used illustration of how communists were “ruined” just for being communists. It never mentions that most American communists were counting on and willing to foment a Soviet-style revolution in America. //

“Oppenheimer” is an interesting story, but the film is way too long. It spends too much time mythologizing a conflicted (mostly immoral) man and ultimately left me empty – not caring for the man beyond the fact that (if he liked it or not) helped end the war against Japan with the deaths of 100,000 dead civilians. Oppenheimer had an unintended hand in my dad coming home from the war. For only that reason, I thank him.