It goes against every piety of the liberal elites to portray the hippies as evil, but Quentin Tarantino points out that the new liberation spawned a murderous cult in Hollywood.

he nearly closed 2019 was a surprisingly good year for conservatism at the movies, thanks to work by Quentin Tarantino, Clint Eastwood, James Mangold, and Roland Emmerich. Famous directors made wonderful movies, some successful at the box office, some likely to gain more prestige in awards season than popularity and therefore likely to be remembered.

Most recently, Eastwood’s “Richard Jewell” continued his series of true stories about citizen-heroes. //

Next, Tarantino’s “Once Upon A Time In… Hollywood,” which was both successful ($370 million worldwide) and admired, and is therefore the only good choice for the Oscars this year. Tarantino continues the project he started ten years ago with “Inglorious Basterds,” the ironic rewriting of history. But this time around, we get an explicitly conservative story: The 1960s hippies—the beautiful people, all about free love and understanding, and expanding your mind—are the murderous villains. //

Finally, Mangold, who recently impressed audiences with “Logan,” now has another movie about manly men doing manly things in the ‘60s: “Ford v. Ferrari,” starring Matt Damon and Christian Bale as Caroll Shelby and Ken Miles, who won the Le Mans 24-hour race in 1966, proving that American engineering, daring, and endurance were the match of anything produced in Europe. //

I would like to close with a mention of a movie I believe will survive, Emmerich’s “Midway.” Emmerich was once a successful blockbuster director—think “Independence Day”—but his career seemed over before he managed to make this movie. It’s not great cinema, but it is the only picture we have about the most important naval battle of the 20th century.

The action is spread out over six months, starting with the attack on Pearl Harbor, moving on to the daring Doolittle Raid, when Americans proved they could bomb Tokyo and the Japanese could not stop them, then the Battle of Midway itself, which won America the war in the Pacific.

That this story has never been adequately told on film is shocking, but now we have it and it is a film that shall live if patriotism lives.